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Her Omaha exhibition uses sculpted children’s shoes and waif-like immigrant figures along with paintings of her and her family’s arrival in America to express the longing and struggle of people trekking from one land to another. Residing in the cultural melting pot of New York and being so well-traveled gives her a broader view of immigration as a universal human experience. She has shows opening in Mexico City, San Diego, Brooklyn and Miami.
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Other residencies have taken her to France, Switzerland and China. She did a recent residency in Puerto Vallarta. As a Mexico native with a great curiosity for the world, she’s a global citizen. Living in New York and having strong connections to Nebraska and California makes Alvarez bicoastal and intercoastal. ©from Claudia Alvarez’s History of Immigration I thought I would be staying three-four months and then move on. Before that I was teaching at a university and when I got accepted by the Bemis I quit my job. For the first time I had an infrastructure that really supported my work,” says Alvarez. “When I came to the Bemis Center it just dramatically changed my life. She’s previously exhibited at the Bemis and El Museo Latino in Omaha, the Sheldon Museum of Art in Lincoln and the Museum of Nebraska Art in Kearney. Her History of Immigration runs through April 9 and is part of a Metro residency she did. There’s something about Omaha that brings us back,” says Alvarez, which is why she readily accepted an invitation to show her work at the new Gallery of Art and Design at Metropolitan Community College’s Elkhorn Valley Campus, 204th and West Dodge Road. “We still have a place here in the Old Market and we come quite a bit and work here. The couple now reside in New York but they retain deep ties to Omaha, where they’ve been two of the brightest lights on the local art scene.
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Working as an ambulance driver for UC Davis Medical Center, she transported seriously ill children and seniors, who in turn inspired her ceramic figures that look old and tired, yet resilient.Ī Bemis Center for Contemporary Art residency brought her to Omaha in 2005, where she met her life partner, artist Terry Rosenberg. She grew up in Calif., where she earned her bachelor’s degree from the University of California Davis and her master’s from California College of Arts. Her father preceded the family to America. The Monterrey, Mexico native came to the States at age 3 with her mother and siblings. For a new solo exhibition in Omaha she uses childlike images to examine the experience of immigration and migration she knows first-hand. Their “Open Space for Your Mind” organization, KANEKO, and the multimedia Portals project that premiered there is the subject of yet another story.Īrtist Claudia Alvarez’s new exhibition considers i mmigrationįor years Claudia Alvarez has created ceramic figures of beleaguered children as a metaphor for exploring social themes of poverty and violence.
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Look for a coming depth story on Bemis founders Ree (Schonlau) Kaneko and her superstar artist husband Jun Kaneko and a much shorter, sampler story about the Kanekos. You’ll also find a story I did on the Bemis Center. You can find my profile of Terry and his work on this blog as well. She and Terry are among the many artists and creatives from elsewhere who have infused Omaha with talent and energy. My profile of Claudia below keys off a new exhibit of her work dealing with immigration. They reside in New York City now but keep a place in the Old Market in Omaha and get back enough to maintain a strong presence here.
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Then Claudia came and the two found each other. Terry made Omaha his second home, commuting between here and New York City. Years apart, each came to Omaha for a Bemis Center for the Contemporary Arts residency – he in 1982 and she in 2005 – and each found the city to be a nurturing place for their work. I met and profiled artist Terry Rosenberg a few years ago but I never got to meet his life partner and fellow artist, Claudia Alvarez, until quite recently.